Posted by This is part two of our David Bowie feature.
The Gospel story of the raising of Lazarus was written, like all the Gospels were, through the prism of the human experience of Jesus risen from the dead. After Jesus’ death those who were close to him during his earthly life experienced him as alive to them in a powerful and deeply intimate way. Free from the limits of physicality, Jesus exploded into their hearts – that place of pure experience at the centre of us where we and divinity are one, communing in spirit. The Gospels were written after this experience and during it.
What the story of Lazarus tells us is that death has no hold on life; that life is of such a force and nature that nothing can contain it. Life is of the spirit and life embodies (enlivens) all physicality. Death is a material reality, not ultimate Reality.
“Look up here, I’m in heaven.” The Lazarus that is David Bowie is now no longer limited by the physical. The scars of a human life and the drama of ‘below’ that were his have now been transcended. In this transcending, this going beyond, Bowie bursts into the fullness of life, a life that is in everything and everyone.
In the Gospel story eternal life courses into the dead Lazarus revealing to us that we will emerge into eternal life after death. This eternal life can be experienced here and now as it heals and transforms our human lives.
“I’ve got nothing left to lose…Dropped my cell phone down below.” As Bowie sings these words he floats between worlds. It seems that only his bed clothes are preventing him from floating away. Perhaps his experience of death is shedding him of what is ultimately unimportant: such things as opinions and judgements, our fears and anxieties, notions of success and failure, pride and competition, and all those things in our personalities that would stop us from living in the fullness of life already given to us. The cell phone is dropped – attachment to temporal intrigues and involvements is gone.
He asked, “Where have you laid him?” They replied, “Lord, come and see.” Jesus wept. Thus the people who had come to mourn said, “Look how much he loved him!” But some of them said, “This is the man who caused the blind man to see! Couldn’t he have done something to keep Lazarus from dying?” Jesus, intensely moved again, came to the tomb. (Now it was a cave, and a stone was placed across it.) Jesus said, “Take away the stone.” Martha, the sister of the deceased, replied, “Lord, by this time the body will have a bad smell, because he has been buried four days.” Jesus responded, “Didn’t I tell you that if you believe, you would see the glory of God?” So they took away the stone. Jesus looked upward and said, “Father, I thank you that you have listened to me. I knew that you always listen to me, but I said this for the sake of the crowd standing around here, that they may believe that you sent me.” When he had said this, he shouted in a loud voice, “Lazarus, come out!” The one who had died came out, his feet and hands tied up with strips of cloth, and a cloth wrapped around his face. Jesus said to them, “Unwrap him and let him go.” (John 11:34-44)
Jesus was close to Lazarus, he loved him. We can see this as Jesus weeps and is “intensely moved”. In raising Lazarus Jesus shows us that our relationships also transcend death. The depth of closeness with someone experienced on earth can continue after their death. And not only this: the closeness can deepen. Those tensions of character and personality that may have come between us and our loved ones are no more. Our ego has nothing to rub against. All that is left is the truth of who our loved ones are. At our depths and in Truth this truth is free to commune with the truth of who we are. There is no fear in Truth.
During meditation we practice attention off the ego. As we deepen in this practice we encounter and live into the truth of who we are and the truth of life.
The gift of this song and video from David Bowie could be seen as a participation in the spiritual reality of communion at the heart of relationship. Bowie lives on not only in his music, but in the relationship that his music fosters between us and him and especially in the relationship he has with those who were closest to him. Just like those Bluebirds he is free, free to be in the freedom given to us all; free from fear and free to be.
The cupboard in this video is the tomb of the Lazarus story. But who is it that comes out of the cupboard at the beginning of this video; that reaches out from under the bed enabling Bowie to float; hiding under the desk, touching and empowering him in his final moments? His muse; an angel; an embodiment of the Divine; a variation on the Grim Reaper? And what is Bowie writing? Is creativity bursting from him in his final moments?
Later, as Bowie dances and sings in front of his ‘tomb cupboard’ we can see the bandages of Lazarus in the white lines on Bowie’s black clothing. The final scene seems to have Bowie doing a ‘Lazarus in reverse’. While the Gospel Lazarus comes back to earthly life from death, Bowie seems to reverse into death from earthly life. His entry into the ‘tomb cupboard’ is a reverse replay of a ‘tomb cupboard’ exiting. He exits and enters the tomb at the same time. Death and life, at least on this earthly plane, are a part of each other. And if we can embrace death, be unafraid of it, we discover in our hearts that death is the way to into life, both temporal and eternal. Christians call this ‘dying and rising in Christ’.